The Guild of St Clare sponsors a stitch

Lucy writes: The Royal School of Needlework has a project to preserve knowledge of stitches with an online archive, called the Stitch Bank. Benefactors can sponsor an addition to this bank, in honour of a living person or in memory of someone who has died.

The Guild is pleased to have been able to sponsor a stitch, in memory of the youngest daughter of our much valued friend and supporter, Olga Watkin. Evelyn, who some will remember from last year's Sewing Retreat, died shortly before Christmas after a 22 month battle with bone cancer, aged 16. 

Requiem aeternam dona ei Domine, et lux perpetua luceat ei.



More about the Stitch Bank. The bank was launched by Royal School of Needlework in 2020. The website conserves and displays embroidery stitches, with information about the history of each one along with instructions on how to work them.

The RSN hopes that, eventually, they will be able to create an entry for every stitch in the world, including historic stitches. At the moment there are 475 entries, and the creators of the Stitch Bank are expecting to reach the 500 milestone in March this year.

This is a project very close to my heart, as in its spirit and aims it is aligned very closely with the work of the Guild of St Clare. It is an attempt to capture and preserve skills which may otherwise be lost, and to make them available freely, in order to nurture and spread them.

The Guild's sponsorship has been made possible by the generosity of our many benefactors. We have been assigned the Fence Stitch, and its entry on the Stitch Wall will carry an acknowledgement of our gift, and of Evelyn.

Ecclesiastical Embroidery by Heather Lewis: Review

Lucy writes: Participants in our Guild of St Clare classes at the Royal School of Needlework will be delighted to hear that our tutor, Heather Lewis, has put some of her wide knowledge of embroidering and making vestments into a book, recently published by The Crowood Press.

 Heather showed us some of the embroidery designs that she created for this book during our class in March 2023 - we've been looking forward to its appearance ever since. I was very pleased to find a copy of this beautiful publication under the Christmas tree, and as I hoped it certainly will be a very helpful resource for us in our work. 

The book proposes ten ecclesiastical embroidery designs, including a variety of crosses suitable for different liturgical seasons. The most ambitious of the designs is the Agnus Dei, but most could be tackled by a novice. 

Heather has a reputation at the Royal School of Needlework as a superb technician, and this is apparent in this book: very careful instructions are given for every stage, including suggestions on creating a suitable embroidery design and making practical decisions about working it. Heather knows her readers, and tailors her advice accordingly: for those needleworkers working on a design together, careful notes made in advance are essential, as well as ensuring adequate supplies of all materials before starting. Templates for her own embroidery designs are included at the back of the book. 

Some of her projects are decidedly contemporary in flavour; traditionalists will love her Floral Christogram, however, beautifully worked on Tudor Rose damask. 

Most useful to Guild of St Clare supporters will be the extremely detailed instructions on making up a stole and a burse at the back of the book, with copious photographs. 

There is a useful list of suppliers at the back of the book, although it's already out of date - FM Church Supplies went into administration two years ago. The weakness of the book is its treatment of the history of vestments, and its references to the liturgy. For an in-depth discussion of these, readers should look elsewhere. 

However, I was interested to learn that one author whom I'm already familiar with, Beryl Dean, was, with Jane Lemon, the founder and figurehead of the contemporary ecclesiastical school of embroidery of the second half of the twentieth century. The Modernist embroidery on contemporary vestments, such as the Cundy Cope and Mitre, worn by Justin Welby on many notable occasions (and familiar, I am sure, to many readers), is firmly in this new tradition.

I highly recommend Ecclesiastical Embroidery to anyone interested in learning to make vestments, and I'll be stocking it in the little Guild of St Clare shop too. Many congratulations and thanks to Heather for this magnificent effort.

The Guild of St Clare at Westminster Cathedral

The monthly Traditional Mass at the Cathedral, in the Lady Chapel (All Souls Day 2024)

Westminster Cathedral, completed in 1903, is one of the outstanding architectural monuments of the Catholic Revival, unrivalled for its choral tradition among Catholic cathedrals the world over, and whose history is inseparably intwined with the struggle for the Traditional Mass. It naturally has a special place in our hearts, and it is with great happiness that we can announce that the Guild has been invited to assist in the care of the vestments and altar furnishings there.

We are therefore hoping to establish a Chapter attached to the Cathedral, which will meet there monthly. There are a great many repairs to undertake, some straightforward and others very complex. The altar frontals in particular, some of them older than the Cathedral itself, need a lot of attention.

If you would like to attend these mending sessions, please email Lucy at guildofstclare@lms.org.uk.

The Cathedral's enormous Sacristy, at the conclusion of the Latin Mass Society's annual Mass in 2021